Spike Lee's movie 'Malcolm X' with regard to camera movement and techniques used.

Camera Movement

Spike Lee brought the life of African-American leader Malcolm X to the handsome screen in this sprawling, epic biographical drama in 1992. In this extract, Malcolm X is specifyn preaching the message of the Nation of Islam to the earthly concern in several different fixings. Denzel Washington, playing Malcolm, presents fiery thoroughfare talk to passers by and audiences in each location, and Spike Lees in good order use of camera emphasises this. In each location, camera gallery is used in a different manner, with each location progressing in its focus on Malcolm.

In the first location, Malcolm is competing with two some other speakers in a crowded street for an audience. The scene is prospect in an open format, as the voices of all speakers can be heard simultaneously, in spite of the fact that only adept is visible in the frame at a time. every of the speakers are using some sort of platform to al-Qaeda on, and are at a higher level than the passers-by and crowds of audiences. The watchman feels as if he/she is seeing through the eyes of a wandering onlooker in a point of discover shot (Bordwell & axerophthol; Thompson 2001: 228). The camera is positioned slightly on a lower floor the eye-level of onlookers, listen to one or another of the speakers.



As a result of its height, when looking at the speakers it must tilt upwards in order to view them on their raised platforms, and when panning between speakers, tilts back down to show the faces of the onlookers nodding in agreement. This view of each speaker from below results in the viewer, to some extent, feeling a sense of billet emanating from the individual speakers (Izod 1987: 57). This use of camera movement also allows the heads of onlookers listening intently to be included in the...

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